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Post by pieter on May 14, 2022 16:35:05 GMT -7
Michał Jacaszek (born 1972) is a Polish electroacoustic musician, often credited on albums simply as Jacaszek.
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Post by pieter on May 17, 2022 17:05:13 GMT -7
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Post by pieter on May 17, 2022 17:09:28 GMT -7
Papa D (formerly Papa Dance, Papa Dance New Sound and Papa Dock) - a Polish synthpop group, founded in 1984 on the initiative of music producers - Sławomir Wesołowski and Mariusz Zabrodzki.
In Flagranti Papa D
Sam nie wiem jak tam mogłem wejść Bez pukania wejść W szkole chodził tuż za mną dziki pech A przy tablicy stał nasz Pan z Panią od WF Zanim zawiałem to miałem spytać się
Co to jest In flagranti Czy to wyspa czy to greps Czy to jest anty czy nie Co znaczy wyraz ten
Co to jest In flagranti Czy to jakiś super wóz Czemu są fanty co krok Naiwny każe płacić los
Co to jest In flagranti Czy to wyspa czy to greps Czy to jest anty czy nie Co znaczy wyraz ten
Co to jest In flagranti Czy to jakiś super wóz Czemu są fanty co krok Naiwny każe płacić los
Chodziłem parę ładnych dni Myśląc jak to jest Spytaj siostry doradzał wewnętrzny głos Lecz kiedy wszedłem była z kimś W uszach mam ten krzyk Oj niezręcznie było pytać ich
Co to jest In flagranti Czy to wyspa czy to greps Czy to jest anty czy nie Co znaczy wyraz ten
Co to jest In flagranti Czy to jakiś super wóz Czemu są fanty co krok Naiwny każe płacić los
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Post by pieter on Jun 21, 2022 9:04:03 GMT -7
Folks,
Form me this clip is uplifting. When I sometimes was editing for 8 hours Adobe Premiere Pro in our tv edit room and everyone was gone I went into the Radio studio when this song was on and turned the volume up to discotheque volume and started dancing alone.|
Cheers, PieterThe magician embodies Love at all times. In his wake is a vibration of awe, respect, surrender, laughter, relaxation, music, dancing, and miracles. Be the magicianSunlight (The Magician song)"Sunlight" is a song by Belgian DJ and record producer The Magician which features guest vocals from Olly Alexander of the English synth-pop band Years & Years. The song was released in the United Kingdom as a digital download on 28 September 2014. The song was written by Stephen Fasano, Olly Alexander, and Mark Ralph. The song was used in the 2015 film We Are Your Friends.The Magician (musician)Stephen Fasano, better known by his stage name The Magician, is a Belgian DJ and record producer from Brussels, in Belgium. He is best known for his 2011 remix of Lykke Li's "I Follow Rivers" , his single “Sunlight feat. Years & Years and 2014 remix of Clean Bandit's "Rather Be"which were worldwide hits. In 2014 he received the Electro award during Belgian ceremony Les Octaves de la musique. His monthly mixtapes called "Magic Tapes", which he started releasing in the mid 2010s, feature new dance music from an array of genres.Career2007–2010: AeroplaneHe was a member of music duo Aeroplane with Vito de Luca since 2007. In 2010, Fasano announced that he was leaving the duo to start his own solo project. De Luca continues to use the name Aeroplane.2011–2013: TwistIn 2011 he released his debut EP Twist on the hip French label Kitsuné in collaboration with Yuksek as Peter and The Magician. In October 2011 he released his debut single "I Don't Know What to Do" featuring Jeppe Laursen on Kitsuné. In 2012 he released the single "Memory" again with Yuksek as Peter and The Magician on Kitsuné. In September 2013 he released the single "When the Night Is Over", and also later released the single "On My Brain" on Party Fine Music.2014–2019: BreakthroughIn July 2014 he released the single "Sunlight" featuring vocals from Years & Years; the song peaked at number 7 in Belgium. The song was released in the United Kingdom on 28 September 2014. The Magician performed "Sunlight" along with Years & Years at the 2014 MTV Europe Music Awards in Glasgow, Scotland as part of the Digital Show which was held at the O2 Academy Glasgow. In July 2014 he launches his own label Potion Records to release his own music as well as the music of others. Artists like Fabich, The Aston Shuffle, Bobby Nourmand, Just Kiddin, Endor and Aevion released music with Potion Records. The label takes a break in 2019. In parallel, The Magician tours mainly in the United States and in Europe. He also performed at Tomorrowland in 2018.2020-present: RenaissanceThe Magician maintains a solid rhythm in releasing remixes. He also releases the Renaissance EP in May 2020. In parallel, he takes advantage of quarantine to launch his live Vinyl Home Show SUPERVISION. Later this year he relaunched his label Potion Records in collaboration with French music company Unity Group and released music from Soda State and Aevion.
The album Magic Tape 100 should be released in 2021.
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Post by pieter on Jun 24, 2022 15:27:17 GMT -7
MobyRichard Melville Hall (born September 11, 1965), known professionally as Moby, is an American musician, songwriter, singer, producer, and animal rights activist. He has sold 20 million records worldwide. AllMusic considers him to be "among the most important dance music figures of the early 1990s, helping bring dance music to a mainstream audience both in the United States and the United Kingdom".
After taking up guitar and piano at age nine, he played in several underground punk rock bands through the 1980s before turning to electronic dance music. In 1989, he moved to New York City and became a prolific figure as a DJ, producer and remixer. His 1991 single "Go" was his mainstream breakthrough, especially in Europe, where it peaked within the top ten of the charts in the Netherlands and the United Kingdom. Between 1992 and 1997 he scored eight top 10 hits on the Billboard Dance Club Songs chart including "Move (You Make Me Feel So Good)", "Feeling So Real", and "James Bond Theme (Moby Re-Version)". Throughout the decade he also produced music under various pseudonyms, released the critically acclaimed Everything Is Wrong (1995), and composed music for films. His punk-oriented album Animal Rights (1996) alienated much of his fan base.
Moby found commercial and critical success with his fifth album Play (1999) which, after receiving little recognition, became an unexpected global hit in 2000 after each track was licensed to films, television shows, and commercials. It remains his highest selling album with 12 million copies sold. Its seventh single, "South Side", featuring Gwen Stefani, remains his only one to appear on the US Billboard Hot 100, reaching No. 14. Moby followed Play with albums of varied styles including electronic, dance, rock, and downtempo music, starting with 18 (2002), Hotel (2005), and Last Night (2008). His later albums saw him explore ambient music, including the almost four-hour release Long Ambients 1: Calm. Sleep. (2016). Moby continues to record and release albums; his nineteenth studio album, Reprise, was released in May 2021.
In addition to his music career, Moby is known for his veganism and support for animal rights and humanitarian aid. He was the owner of TeaNY, a vegan cafe in Manhattan, and Little Pine, a vegan restaurant in Los Angeles, and organized the vegan music and food festival Circle V. He is the author of four books, including a collection of his photography and two memoirs: Porcelain: A Memoir (2016) and Then It Fell Apart (2019).
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Post by pieter on Jun 24, 2022 15:51:39 GMT -7
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Post by pieter on Jun 24, 2022 15:54:29 GMT -7
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Post by pieter on Aug 15, 2022 15:31:39 GMT -7
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Post by pieter on Oct 9, 2022 13:13:18 GMT -7
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Post by pieter on Jan 12, 2023 18:43:30 GMT -7
Massive Attack are an English trip hop collective formed in 1988 in Bristol by Robert "3D" Del Naja, Adrian "Tricky" Thaws, Andrew "Mushroom" Vowles and Grant "Daddy G" Marshall.
The debut Massive Attack album Blue Lines was released in 1991, with the single "Unfinished Sympathy" reaching the charts and later being voted the 63rd greatest song of all time in a poll by NME.[2] 1998's Mezzanine (containing the top 10 single "Teardrop") and 2003's 100th Window charted in the UK at number one. Both Blue Lines and Mezzanine feature in Rolling Stone's list of the 500 Greatest Albums of All Time.
The group has won numerous music awards throughout their career, including a Brit Award—winning Best British Dance Act, two MTV Europe Music Awards, and two Q Awards.[5][6] They have released five studio albums that have sold over 13 million copies worldwide. Throughout their history, Massive Attack have been supporters and activists for political, human rights and environmental causes.
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Post by pieter on Mar 14, 2023 17:13:26 GMT -7
Back to the Old school techno of the early pioneersJames PenningtonJames Pennington, also known as Suburban Knight, is a DJ and producer with Underground Resistance ( UR), an independent record label based in Detroit, United States. Music by Pennington and other UR members was featured in the video game Midnight Club 3: Dub Edition, which is set on the streets of Detroit. Pennington pioneered the Detroit techno scene since the mid-1980s with moody tracks like " The Art of Stalking" and " The Groove". With the rise of Detroit's second wave in the early 1990s, Pennington became a mentor for Mike Banks and the Underground Resistance crew. With Underground Resistance, he released the singles " Nocturbulous Behavior" and " Dark Energy". He also featured on the Submerge label compilation Depth Charge, Vol. 3, and produced tracks for Underground Resistance's 1998 full-length Interstellar Fugitive. James' debut album My Sol Dark Direction was released to critical acclaim including both classics and new, unreleased productions. Source: en.wikipedia.org/wiki/James_Pennington / www.allmusic.com/artist/the-suburban-knight-mn0000486897 / www.hiphopelectronic.com/detroit-techno-artists/james-pennington
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Post by pieter on Mar 14, 2023 17:21:20 GMT -7
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Post by pieter on Mar 14, 2023 17:22:23 GMT -7
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Post by pieter on Mar 14, 2023 17:27:09 GMT -7
The Belleville ThreeThe Belleville Three are three American musicians, Juan Atkins, Derrick May, and Kevin Saunderson, who are credited with inventing the Detroit techno genre. OriginsKevin Saunderson was born in Brooklyn, New York. At the age of nine he moved to Michigan, where he attended Belleville High School in Belleville, a town some 30 miles from Detroit, in the more rural area near its suburbs. In school he befriended Derrick May and Juan Atkins, both of whom had been born in Detroit but later moved to Belleville. The three were among the few black students in their high school, and Saunderson later commented, "we three kind of gelled right away." The setting affected how they experienced music. "We perceived the music differently than you would if you encountered it in dance clubs. We'd sit back with the lights off and listen to records by Bootsy and Yellow Magic Orchestra. We never took it as just entertainment, we took it as a serious philosophy," recalled May. Belleville was located near several automobile factories, which provided well-paying jobs to a racially integrated workforce. "Everybody was equal," Atkins explained in an interview. "So what happened is that you’ve got this environment with kids that come up somewhat snobby, ‘cos hey, their parents are making money working at Ford or GM or Chrysler, been elevated to a foreman, maybe even a white-collar job." European acts like Kraftwerk were popular among middle-class black youth.
The three teenage friends bonded while listening to an eclectic mix of music: Kraftwerk, Parliament, Prince, the B-52s. The electronic and funk sounds that influenced the Belleville Three came primarily from a 5-hour late-night radio show called The Midnight Funk Association, broadcast in Detroit by DJ Charles "The Electrifying Mojo" Johnson on WGPR. Juan Atkins was inspired to buy a synthesizer after hearing Parliament. Atkins was also the first in the group to take up turntables, teaching May and Saunderson how to DJ.
Under the name Deep Space Soundworks, Atkins and May began to DJ on Detroit's party circuit. By 1981, Johnson was playing the record mixes recorded by the Belleville Three, who were also branching out to work with other musicians. The trio traveled to Chicago to investigate the house music scene there, particularly Chicago DJs Ron Hardy and Frankie Knuckles. The trio began to formulate the synthesis of this dance music with the mechanical sounds of groups like Kraftwerk, in a way that reflected post-industrialist Detroit. An obsession with the future and its machines is reflected in much of their music, because, according to Atkins, Detroit is the most advanced in the transition away from industrialism.First wave of Detroit technoWhile attending Washtenaw Community College, Atkins met Rick Davis and formed Cybotron with him. Their first single "Alleys of Your Mind"—recorded on their Deep Space label in 1981—sold 15,000 copies, and the success of two follow-up singles, "Cosmic Cars" and "Clear," led the California-based label Fantasy to sign the duo and release their album, Enter. After Cybotron split due to creative differences, Atkins began recording as Model 500 on his own label, Metroplex, in 1985. His landmark single, "No UFOs," soon arrived. Eddie "Flashin" Fowlkes, Derrick May, and Kevin Saunderson also recorded on Metroplex.
Although the Detroit musicians—the Belleville Three and other early pioneers like Fowlkes and James Pennington—were a close-knit group who shared equipment and studio space, and who helped each other with projects, friction developed. Each member of the Belleville Three branched off on his own record label. May's Transmat began as a sublabel imprint of Metroplex. Saunderson founded KMS based on his own initials. They set up shop in close proximity to one another, in Detroit's Eastern Market district.
All of the Belleville Three have worked under many different names and titles. Derrick May saw great success under the name Rhythim is Rhythim, his moniker when he released his landmark "Strings of Life." Kevin Saunderson's most commercially recognized project was Inner City with vocalist Paris Grey. Juan Atkins has been lauded as the "Godfather of Techno," while May is thought of as the "Innovator" and Saunderson is often referred to as the "Elevator."
Inspired by Chicago's house clubs, May, Atkins and Saunderson started a club of their own in downtown Detroit, named the Music Institute. The club helped unite a previously scattered scene into an underground "family," where Saunderson, Atkins and May, DJed with fellow pioneers like Fowlkes and Blake Baxter. It allowed for collaboration, and helped inspire what would become the second wave of Detroit-area techno, which included artists whom the Belleville Three had influenced and mentored.Success abroadIn 1988, dance music entrepreneur Neil Rushton approached the Belleville Three to license their work for release in the UK. To define the Detroit sound as being distinct from Chicago house, Rushton and the Belleville Three chose the word "techno" for their tracks, a term that Atkins had been using since his Cybotron days ("Techno City" was an early single). However, the trio from Belleville had some reservations about the culture that surrounded the drug-filled techno subculture abroad. Derrick May in particular continues to advocate that drugs are not necessary to participate in good music.The Movement
In 2000, the first annual Detroit Electronic Music Festival was held, and in 2004 May assumed control of the festival, renamed Movement. He invested his own funds into the festival, and "got severely wounded financially." Saunderson helmed the festival, renamed FUSE IN, the following year. Saunderson, May and Carl Craig all performed but did not produce the festival in 2006, when it was again called Movement. Saunderson returned to perform at the 2007 Movement as well.Collaboration as the Belleville Three
In 2017, Atkins, Saunderson and May began working on the Belleville Three as an official collaborative effort. Despite being labelled as the Belleville Three since the late 1980s, due in no small part to the British press, they had resisted official collaboration in the hope of distancing themselves from that moniker. However, three decades later it was clear that the mantle of The Belleville Three had stayed intact, and there was a clear demand to see them operate as a group. They launched this project at Coachella 2017.
The Belleville Three continue to tour internationally. Derrick May says that his mission continues to be "to save the world from bad music."
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Post by pieter on Mar 14, 2023 17:52:23 GMT -7
TechnoTechno is a genre of electronic dance music (EDM) which is generally produced for use in a continuous DJ set, with tempo often varying between 120 and 150 beats per minute (bpm). The central rhythm is typically in common time (4/4) and often characterized by a repetitive four on the floor beat. Artists may use electronic instruments such as drum machines, sequencers, and synthesizers, as well as digital audio workstations. Drum machines from the 1980s such as Roland's TR-808 and TR-909 are highly prized, and software emulations of such retro instruments are popular.The Roland's TR-808 Drum machineThe Roland's TR-909 Drum machineMuch of the instrumentation in techno emphasizes the role of rhythm over other musical parameters. Techno tracks mainly progress over manipulation of timbral characteristics of synthesizer presets and, unlike forms of EDM that tend to be produced with synthesizer keyboards, techno does not always strictly adhere to the harmonic practice of Western music and such structures are often ignored in favor of timbral manipulation alone. Another distinguishing feature of techno music and techno aesthetic is the general embracement of creative use of music production technology.
Use of the term "techno" to refer to a type of electronic music originated in Germany in the early 1980s. In 1988, following the UK release of the compilation Techno! The New Dance Sound of Detroit, the term came to be associated with a form of EDM produced in Detroit. Detroit techno resulted from the melding of synth-pop by artists such as Kraftwerk, Giorgio Moroder and Yellow Magic Orchestra with African American styles such as house, electro, and funk. Added to this is the influence of futuristic and science-fiction themes relevant to life in American late capitalist society, with Alvin Toffler's book The Third Wave a notable point of reference. The music produced in the mid-to-late 1980s by Juan Atkins, Derrick May, and Kevin Saunderson (collectively known as The Belleville Three), along with Eddie Fowlkes, Blake Baxter, James Pennington and others is viewed as the first wave of techno from Detroit.
After the success of house music in a number of European countries, techno grew in popularity in the UK, Germany, Belgium and the Netherlands. In Europe regional variants quickly evolved and by the early 1990s techno subgenres such as acid, hardcore, bleep, ambient, and dub techno had developed. Music journalists and fans of techno are generally selective in their use of the term, so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance.
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