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Post by pieter on Jan 29, 2011 19:19:38 GMT -7
Techno Music Classics
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Post by pieter on Jan 29, 2011 19:35:34 GMT -7
1988 Chicago House
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Post by pieter on Jan 29, 2011 19:51:31 GMT -7
Ninetees British TechnoJames RuskinLondon born and based techno producer and DJ. James Ruskin comes from a background that first put him in touch with hip-hop and electro and later with the emerging detroit techno scenes. This inspired him to become a DJ in 1991 and venture into production with studio-partner Richard Polson by 1994. Founded Blueprint with Polson in 1996. As Blueprint grew, he delivered his first solo releases and appeared elsewhere as remixer and co-producer.
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Post by pieter on Feb 11, 2011 17:08:12 GMT -7
Please click in the YouTube link for Funk D'void & Phil Kieran - white light. It is a beautiful techno track.
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Post by pieter on Feb 11, 2011 17:19:54 GMT -7
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Post by sciwriter on Feb 13, 2011 12:49:48 GMT -7
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Post by sciwriter on Feb 17, 2011 18:36:06 GMT -7
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Post by pieter on Feb 19, 2011 8:05:35 GMT -7
Carl,
It's wonderful, a little bit weird, it stimulises your mind and sounds classical both in the sense of early experimental electronic and psychedelic pop music as classical music in it's musicality. Heavy atmospherical and instrumental. It is nice to listen to the different levels of sounds; treble, bass, the subtle electronic sounds (synthesizer sounds), fluctuations, drums, electric guitar sounds, a certain rhythm and melody.
I liked it!
Cheers, Pieter
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Post by pieter on Mar 10, 2011 16:26:03 GMT -7
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Post by pieter on Mar 10, 2011 16:28:23 GMT -7
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Post by pieter on May 12, 2011 17:27:58 GMT -7
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Post by pieter on May 27, 2011 14:46:37 GMT -7
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Post by pieter on May 27, 2011 14:53:18 GMT -7
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Post by pieter on May 31, 2011 9:07:41 GMT -7
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Post by karl on Jun 19, 2011 16:13:53 GMT -7
Pieter
Yes, for you are a very well rounded person for also, within your self are the sensitivities of an artist. For this must be an advantage over that of so many...
Perhaps it is the moment of mood that catches for the time that is with the currant senses, I am not sure.
It would so seem of the time, mood, and situation is commensurate with the music of the moment. For as time allows, our mood will gather strength with the beat of a certain sound, then diminish as the sound will change in pitch with volume.
When as perchance of depression begins to set in, a sound of Harpsichord will bring welcomed relief, then to think and reason whilst allowance of the pitch, sound and harmony begins.
For then to regain spirit and energy, some upper pitch music as usually found in pop music will suffice to compensate for fatigue induced mental state of mind.
I think perhaps it is of our central nervous system that is susceptible to exterior sound, volume and beat in as much to what our inner ear system in associated sound reception is tuned.
Karl
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