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Post by pieter on Apr 26, 2019 17:55:56 GMT -7
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Post by karl on Apr 26, 2019 18:59:57 GMT -7
Pieter Must be my self being not with the programme at present. For was to view your presentation and realized the titles were in Spanish one being: La Edad DeOro with is: Place of Gold.. Leandro Fresco is Argentine and thought perhaps you might be interested in him. www.astrangelyisolatedplace.com/artists-leandro-frescoKarl
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Post by pieter on Apr 26, 2019 19:28:05 GMT -7
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Post by pieter on Apr 26, 2019 19:29:20 GMT -7
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Post by pieter on Apr 26, 2019 19:35:43 GMT -7
Karl,
This is a far reaching, peaceful, nearly oceaninc music, which goes into a deeper relaxation of the human mind and soul. Deeper emotions, deeper sentiments, melancholia, flash backs, the vision of a calm sea or a very dry, empty landscape of a Steppe, Tundra or desert. I listen to this early in the saturday morning on this Qeens night towards the Queens day in the Netherlands. When I closed my eyes I suddenly saw images back from myself cyvling through Copenhagen filming the city with a video camera, and myself without a video camera cycling outside Copenhagen city into the Green hilly country landscape of Sjealland and along the rocky coast, having a peace of mind and merging into that landscape. Music can bring you back to places, to times to experiences.
Cheers, Pieter
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Post by pieter on Apr 26, 2019 19:39:19 GMT -7
Leandro Fresco's music is also transcedential, because it shows eternety and an universal space.
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Post by Jaga on Apr 26, 2019 22:58:03 GMT -7
Pieter, some of this electronic music that you posted is really pleasant for the ear. I wish I could access the forum at work, unfortunately I cannot. I need this type of music sometimes.
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Post by pieter on Apr 28, 2019 16:58:59 GMT -7
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Post by karl on Apr 30, 2019 14:14:55 GMT -7
Karl, This is a far reaching, peaceful, nearly oceaninc music, which goes into a deeper relaxation of the human mind and soul. Deeper emotions, deeper sentiments, melancholia, flash backs, the vision of a calm sea or a very dry, empty landscape of a Steppe, Tundra or desert. I listen to this early in the saturday morning on this Qeens night towards the Queens day in the Netherlands. When I closed my eyes I suddenly saw images back from myself cyvling through Copenhagen filming the city with a video camera, and myself without a video camera cycling outside Copenhagen city into the Green hilly country landscape of Sjealland and along the rocky coast, having a peace of mind and merging into that landscape. Music can bring you back to places, to times to experiences. Cheers, Pieter Pieter You are very correct, for I was a bit of a bore for missing the core flavour of this music, and you have covered it quite very well. For my self, once withen the walls of my flat, also do I turn on the music of taste at the moment of the day to get a way from the days concerns. Then figure out what the heck to cook up for supper. For as with above, I do respect very well your memory return to Copenhagen and this is yours to keep sacred as it should be. Also of my respect and admiration of the city, it is just some memories are bitter to me, not of Copenhagen in self, but of near by Christianshavn. We had discussed this before, but this is where Adriana and I lost Anikka so many years past. Although Adriana had told me to just let it go, my selfish nature will not agree. On the trip return to Esbjerg, she kissed me on the fore head, and put her finger against my nose, and just simply said,"Karl give it up". And that was that. The following year Auntie died of an anerisum in the brain and we lost her. Karl
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Post by pieter on May 5, 2019 10:58:48 GMT -7
The 7th Plain (releases on General Production Recordings and Ostguton Berlin) is one of my favorite nineties techno albums. It is an album of Luke Slater (born 12 June 1968, Reading, Berkshire, England) an English electronic musician, DJ and record producer, who has concentrated on techno since the beginning of the 1990s. This is a good example of British techno music.
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Post by pieter on May 5, 2019 11:02:03 GMT -7
In recent years, Luke Slater's The 7th Plain alias has acquired new relevance. The rise in appreciation for ambient techno of the early '90s, from B12's Time Tourist to Move D's Kunststoff, has eased the way for a reappraisal of Slater's ambient work, which he released on General Production Recordings between 1993 and 1995. The Ostgut Ton sub-label A-Ton launched in 2016 with Chronicles I, the first in a trilogy of compilations of remastered music from The 7th Plain. Now, the label has released the remaining two sets, Chronicles II and Chronicles III.
It's easy to be lulled into the chilly fog that cloaks much of Slater's music as The 7th Plain. The shimmering techno jazz of "Silver Shinhook" opens Chronicles II in a weightless, heavy-lidded haze that lingers over the kick drum-powered tracks that follow. By contrast, Convex" is defined by brittle, metallic drums, punchy stabs and nagging acid lines, though the lighter footfall to the rhythm and a liberal dose of misty chords temper its agitated mood.
These spikes in energy also avoid a common pitfall in ambient techno, in which tracks tend to melt into the background. Sometimes that's the whole point—the chill-out room culture of the '90s with which this music aligns was as much about socialising as it was about attentive listening. But "JDC" tests the limits of The 7th Plain's billing as ambient. Its hyped-up, modulating zaps and sharp claps might unsettle anyone expecting something calm and nurturing.
The 7th Plain works best when Slater brings together these experimental instincts with his resplendent melodies. "Lost," a highlight from The 4 Cornered Room, surges with drums that strain under a blanket of hi-hats that sound like a particularly savage rain shower. When such feisty programming is paired with vast, bombastic slabs of orchestral synth, the results are spellbinding. Is it too intense for the fragile ecosystem of the afters? Maybe. But these untamed qualities are precisely what gives the music such vitality.
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Post by pieter on May 5, 2019 14:53:59 GMT -7
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Post by pieter on May 31, 2019 20:24:57 GMT -7
...A Mission Into Drums 1994 Label: Eye Q Records 2 × Vinyl Germany 1994 Electronic Trance
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Post by pieter on May 31, 2019 20:53:41 GMT -7
"Pacific 808" is a single by English electronic music group 808 State, released in 1989. It exists in several alternate mixes known by different titles, such as "Pacific State" (as included on the Quadrastate mini-album that year) and "Pacific 202" (as included on the album Ninety).
The song charted for 11 weeks in the United Kingdom, peaking at number 10 on the UK Singles Chart.[4]
"There's about 42 different versions of 'Pacific'," quipped Graham Massey, "and 'Pacific 707' is the single version we put out on ZTT. It was the last track at The Haçienda for the six months before it even got out. Then Gary Davies heard it in Ibiza and started playing it on daytime Radio 1. A few features made it stand out: the birdsong and the saxophone. I played the sax part – which is good because I didn't really play saxophone at the time. It's a moot point whether I can play that part properly now."
Release
The single was released by Tommy Boy Records on 15 March 1990 in the United States.
Reception
In retrospective reviews, The Independent reviewed a live concert by 808 State in 1997, describing "Pacific State" as "the song that made a nation chill out. Mellow but insistent beats, a light garnishing of wildlife noises, and a soprano sax threading through it like a viper in the Eden undergrowth. It was the aural equivalent of throwing a party inside a giant flotation tank. That was 808 State."
Pacific 707 Artiest 808 State Album 808:88:98 [Bonus Track] Autehors Martin Price, Graham Massey, Gerald Simpson Licence to YouTube released by UMG, [Merlin] UnionSquareMusic (namens ZTT); ARESA, BMI - Broadcast Music Inc., ASCAP, LatinAutor - UMPG, UMPG Publishing, LatinAutor - PeerMusic, LatinAutor, Abramus Digital, BMG Rights Management, UBEM, UMPI, CMRRA and 12 organisations for music rights.
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Post by pieter on Jun 29, 2019 17:29:42 GMT -7
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